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Alchemy
ZYNERGY, ZEROLIGHT, SPIRALIGHT, SPACIUS, ASTRALIGHT
From the desert of southern Utah, comes one of the highest concentration of natural monoatomics on the planet. One can survive quite some time on monoatomics and water alone, if lost in the desert. Extraction and blending with the various noble metals, produces an extreme concentration of 'superfood'. The conductivity which feeds the very building blocks of life, which can not be recieved any other way. Of course eating metal, is Poisen to the body. Now, ingesting them in a monoatomic form, allows safe obsorbtion and distribution throughout the bloodstreem and brain. Thier immune system boosting qualities are tromendous as well as their consious Enlightening power.
First, we use our own processes - not David Hudson's
patent and not the stock alchemical "steps"
as one might find in the Emerald Tablets, nor the
wet or dry methods recipes which can be found pretty
much anywhere you look, although there are problems
with both of those methods, that we can help you sort
out or overcome, if you like.
- The alchemical gold component in Zynergy and
the alchemical powders are made through implosive
hydrogen reactions caused by splitting deionized
water (breaking the hydrogen apart from the oxygen)
where the hydrogen goes very easily to its monatomic
state and then seeks the only ion in the liquid
as a cathode (the negative charge or spin), gold
for example, converting it from ionic to m-state.
The water splitting is becoming more commonly
known in "out there" science as a viable
methodology to accomplish any number of technological
tasks, such as Brown's Gas.
Our water splitting is made possible by a special
blend of hydroxides introduced into deionized
water. What is most discussed in various articles
on methods and experimentation is the use of sodium
hydroxide, aluminum and water. An example is if
one were to take gold in suspension and (with
extreme caution) put sodium metal (negating the
requirement for aluminum as a reactant) into that
liquid, it will cause an explosion that begins
with an implosion, experiments that we have in
fact performed and created quite a fireworks display
(this is very dangerous and we strongly recommend
you stay away from this). Resulting precipitates
and even the liquid could then be cleaned up and
used as a starting material for alchemical processes,
but the cleanup process by itself would likely
be both cost-prohibitive and might leach away
some of the "life" of the material.
With our processes, however, the reaction from
the special blend of hyroxides and ionic gold
are not nearly as violent when carefully controlled
by temperature, the volume of water versus the
volume of hydroxides, and so on. The resulting
solution is then capable of nucleating perfectly
clear and most frequently hexagonal crystals.
The crystals will nucleate only if the conditions
are balanced and correct. In other words, crystallization,
in this context, functions as its own selective
filtration process, taking from the solution only
what they (and we) want them to. Fire (dryness,
heat, hydrogen), water (moistness, coolness, oxygen),
and elements (some transitional) with easily orbitally
rearranged electrons can "inadvertently"
bring about transmutation, although very frequently
the practitioner has no way of determining precisely
what the resulting solids are because they'll
have combined to become something that is out
of the spectral domain of the constituent "ingredients."
But as we start with gold in suspension, there
is of course no mistaking that the resulting material
is (or has) gold in some form or another.
The union of "fire" and "water"
is the equivalent of the union of opposites, but
how do you bring union to fire and water? Attempting
to do that does nothing but create something new,
in this case "steam." It's a question
of semantics. The alchemical union, a kind of
cross-fertilization, is what takes place via actions
with hydrogen as fire and oxygen as water (yes,
water is mostly oxygen). This action is what produces
something that is neither of those specifically,
but shares in their properties and creates the
environment, or crucible, or even body, in which
the transmutation of elements can take place.
In the historical alchemical literature, this
is at least in part what they're referring to
in the language of the time in which the information
was rendered. The implosion is always necessary
when one is seeking to create something new, as
the creative process must always draw from the
void, or "womb of creation," but it
takes an intellience of some sort to, shall we
say, place the order as to what is being drawn
from the void.
Zerolight is the result of those crystals upon
oxidation (the air phase of the alchemical triune,
which is "air," or nitrogen), where
they become a powder that is an ingestable image
of the crystals. Alchemical union is then brought
about between the gold crystals and the successive
transitional elements which are in a nanoparticulate
(super small, angstrom sized) state suspended
in water. Dissolving the crystals into those alchemical
waters and then allowing new crystal nucleation
is in effect the "birth" of something
new, with the two (or more) metals now bonded
at a level where (sacred) geometric form takes
place at the most fundamental level of creating
anything that has spatial dimensions (or form).
How those alchemical waters are made is described
below.
What we have been shown is that there is an order
that each of the alchemical metals are introduced
as a means of raising the frequency of the material,
potentiating its power, and unlocking codes within
the human body for access to "hidden"
powers, abilities and information specific to
our times. You could also say that it "qualifies"
us, in a sense, for higher levels of clearance
into informational vaults held fast in higher
octaves of being. Each element builds upon and
potentiates its predecessor/s, and this is something
that some believe they have decoded from the Bible
by matching a given chapter number against the
atomic mass number designation in the periodic
table of elements (we're not at all certain there
is any veracity to this theory other than as a
means to confirm an intuition, but as it was a
group of high initiate alchemists who rendered
the King James version of the Bible...hey, anything's
possible). The new Astralight is the ultimate,
at least to this point, of that successive combination.
You might wonder at the presence of copper in
Spacius and the new Astralight. Copper is known
as the workhorse mineral, by its presence making
everything else work better (even in just general
nutrition), and has a very grounded aspect to
it, and while potentiating its predecessor, platinum,
it also seems to be a kind of centrally located
"hub" of communication between them
all in both Spacius and the new Astralight. We
feel very strongly that the copper and silver
combination is what is such powerful brain food
in Spacius. The test group of people would also
comment that it seemed to be the catalyst behind
them receiving for themselves very timely information
specific to them at the right time.
The foregoing is what we've been shown, led to
and taught. Whether you agree with it or disagree
with it is immaterial: the point is that it does
work and you can only find that out by proceeding
through the levels, and we do strongly recommend
using Spacius before Astralight, even though it's
not a requisite.
ZINDIUM, AQUAGOLD, AQUASILVER, RHODIUM, IRIDIUM,
COPPER
The Zindium, Aquagold, Aquasilver, Rhodium/Iridium,
and Copper are all made with an overunity device
where 200,000 volts of cool electrical current
are channeled through the metal being used (as
an anode), infusing deionized water with the "essence"
of the noble metal in a highly charged crystalline
particulate state measured in parts per million,
where less than 20% of the crystalline solids
are detectable by analytical methods, which means
that they have “transited” out of
the spectral domain of the noble metal being used.
The reason we know we're getting energy transmutation
is because we are "losing" 30% to 50%
less of the metal being used than there are by
weight of particulate solids present in the water
once finished. All are at 1000 parts per million.
The Aquagold and Aquasilver are a concentrate
in pure water (nothing but hydrogen, oxygen and
the crystalline form of the metal being used)
and are designed to seed a gallon of purified,
distilled or spring water, through which they
then spread their "energy" signature
and structure and charge the entire gallon. The
Rhodium, Iridium and Copper are all elixirs to
be used by the drop or dropper.
ALCHEMICAL PHILOSOPHY
Alchemy in the context of materials which proceed
from noble metals was, is and always will be the
release of stored potential energy, qualifying
that energy and with one's intent imposing a given
state of being. Alchemy is not a recipe as much
as it is a configuration, never has been, never
will be, and even if it were, it will not work
precisely the same way for any two people. It's
a chain of operations performed upon material
substances that are tuned to the fantastic multiplicity
of dynamics of a given environment coupled with
the infusion of Spirit Intelligence. That infusion
of Spirit Intelligence, or coupling, is the Divine
Union, the "coitus" of King and Queen
to create the Divine Child. This is the Sacred
Marriage of legend and arcana.
If you wanted to create something, you wouldn't
be creating it from nothing. You would instead
actually be transmuting undifferentiated energy
"consciousness," what we like to call
"the thinking stuff of Creation" or
"Potentia," into whatever it is that
you want to create. But if you want to transmute
something that already has objective being, then
that object, substance, person, etc., must undergo
a process of disintegration (or disaggregation),
dissolution, moving towards a point of undifferentiated
energy (or consciousness) - the zeropoint, and
from there begins moving towards the aggregation,
the congealing, the materialization of its new
being. When a pendulum is on its upswing and it
reaches its highest point, there is a moment between
directional motions where it comes to an absolute
standstill; it's neither swinging upward nor downward.
This is an illustration of the point where all
potential exists simultaneously and has neither
location nor definable properties, and while it
would seem to be a point of absolute stillness
it is nevertheless teeming with quantum activity.
There are operations that bring about the necessary
dissolution, and when the "objective"
material being used (gold, platinum, etc.) reaches
a state of undifferentiated consciousness, the
alchemist can in effect influence what he or she
wants it to be. This is way oversimplified, of
course, but that is the basic idea. It's a very
suggestive state indeed because, as mentioned
above, it is actually quite volatile - in other
words, the objective substance is basically bouncing
off the walls to become something. The Alchemist,
sometimes even unbeknownst to her- or himself,
is operating on multiple levels of being where
subtler energy-intelligences are brought into
(Divine) union with the released potential energy.
The "nearer" one is to the zeropoint
the higher the vibration. If one is therefore
infusing an objective substance with a super high
frequency energy intelligence, the vessel or body
into which it is being directed must also be raised
to an appropriate level, thus the necessity of
changing base gold metal into its much higher
frequency sibling, the white powder. It's simple
mechanics, actually. For this exact same reason
the frequency of the body of the user, you, must
also be raised by grades as a means of preparation
for the next higher frequency alchemy, bringing
one ever closer to the vibrational levels of (so-called)
spirit.
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